My work often begins in intuition — in the subtle pull of memory, motion, and the natural world. Guided by intuition and shaped by my background in art, architecture, and the natural world, I explore the tension between structure and release. Each piece becomes a negotiation: control giving way to chaos, clarity dissolving into movement, order shifting into something more fluid and human. The theme of Afterimage resonates with this process: so much of what I create is shaped by impressions that linger beneath consciousness, guiding my hand long before I can name them.
The artwork I’m exhibiting, Ocean Dream, embodies these ideas. Created with acrylic paint and various additives on canvas, its layered currents of indigo, lavender, and navy-black rise into a pale, luminous wash, shifting between stillness and momentum. It’s a piece that doesn’t demand attention — it draws it — inviting the viewer to sense the quiet rhythm of something just beneath the surface. In many ways, it reflects the afterimages we all carry: the memories and impressions that move quietly within us, shaping our inner landscape long after the moment has passed.