My work uses a painted mosaic technique composed of individual squares of color as both a visual structure and a conceptual exploration of perception, time, and memory. Up close, the image appears fragmented and abstract, dissolving into isolated units that resist immediate meaning-much like the disjointed feeling of the
present moment. As the viewer steps back, the image begins to resolve, with individual elements merging into recognizable forms. This shift reflects how memory works over time: experiences that feel unclear in the moment often become understandable through reflection. Drawing on Gestalt psychology, the work relies on the mind’s tendency to organize fragments into unified wholes.